Page:Hofstede de Groot catalogue raisonné, Volume 1, 1908.djvu/467

in GERARD DOU 443 Catalogued as a Rembrandt, though formerly ascribed to Dou. See Michel, Rembrandt,^. 35 ; Th. von Frimmel, Galeriestudien, 1891, p. 35, and 1892, p. 301 ; Martin, p. 34, note. Now in the Sch5nborn Gallery, Pommersfelden. 307. REMBRANDT HOLDING A PORTRAIT OF HIS FATHER. Panel, n inches by 8| inches. Formerly described as of the school of Rembrandt ; Waagen (iii. 448) assigned it to Dou, at a time when it was thought to be by Rembrandt himself. Now in the Fitzwilliam Museum, Cambridge, 1898 catalogue, No. 417. 308. REMBRANDT PLAYING THE LUTE IN HIS STUDIO. He sits on the left by an open window. He wears a cloak, cap, and long boots, and plays a lute. His easel stands on the right ; upon it is a canvas, seen from the back. Behind it is a tiled hearth, and a table with a violin leaning against the wall in full light. On the wall hangs a horse's skull. In the left foreground are a shield, helmet, and drum. An early work. Panel, 26 inches by 21 inches. In the possession of the dealer Ch. Sedelmeyer, Paris, 1905, No. 8. Exhibited by the dealers Fred. Muller and Co., Amsterdam, 1906, No. 32. Sale. Ch. Sedelmeyer, Paris, May 25-28, 1907, No. 37 (276). 309. REMBRANDT, FULL LENGTH, IN AN INTERIOR. He has pinched features. To the right is a table with a green cloth, on which are a book, candle, wallet, Bible, globe, silver dish, and other things. Painted in the style of Sir F. Cook's picture (312), but on canvas. It is ascribed to Bol, but may be only a copy after Dou. Canvas. Now in the Danzig Museum, No. 15. 310. PORTRAIT OF REMBRANDT (?). He looks about thirty-five. He sits in front of a green curtain which is drawn back at the right to show a studio with an easel. A half-length, with a black hat and black costume. Panel, 6 inches by 5 inches. Exhibited by the dealers Fred Muller and Co., Amsterdam, 1906, No. 33. In the collection of E. Warneck, Paris. 311. REMBRANDT IN HIS STUDIO. He sits to the left of his studio, upon a low seat covered with a grey-green carpet. He is turned to the right, but faces round to the spectator. He wears a blue cap, and a loose, brownish-grey cloak fastened with a scarf round his middle. In his left hand he holds his palette and brushes. In front of him to the right is a table with a blue cloth, on which are a large open book, and two other books, a mandolin, a skull, a quill, and an ink-pot. Behind the table is an easel with a large picture on it. On the floor are a globe, a plaster cast, and a roll of paper. On a pillar, in the left back- ground, hangs a yataghan. Martin regards this as a portrait of Dou by