Page:Hofstede de Groot catalogue raisonné, Volume 1, 1908.djvu/480

456 GERARD DOU SECT. 359*7. An Old Woman. In the style of Rembrandt. Sale. W. van Haansbergen, The Hague, June 19, 1755, No. 184 (31 florins, Le Vieu). 359^. Portrait of an Old Woman. Pendant to 319*:, " Portrait of an Old Man." Sale. Amsterdam, June 4, 1766, No. 40 ; pendant to No. 39. 359c. Portrait of an Old Lady. A half-length. She wears a rich dress trimmed with fur, and looks intently at something. Panel, 10 inches by 7! inches, oval. Sale. Amsterdam, October 6, 1809, No. 20. 359^. Portrait of an Old Woman. 24 inches by 16 inches. Sale. Amsterdam, July 1812, No. 37 (14 florins 10, Roos). 360. An Old Woman. M. 194. A half-length. She wears a white cap, a dress with shoulder-pieces and a collar. [Pendant to 36^.] Panel, 6 inches by 5 inches. Sale. Jansen and Altmann, Amsterdam, March 3, 1891. 3600. Portrait of an elderly Lady. A half-length. She wears a fur-trimmed dress, a broad stiff collar, and a cap. Panel, 10 inches by 8 inches. Sale. Heis and others, Cologne, October 5, 1903, No. 23. 361. PORTRAIT OF A WOMAN. M. 203. An old woman in a fur-trimmed cloak. A half-length, facing right. [Pendant to 301.] Signed in full in the left-hand bottom corner ; panel, 15 inches by n inches. W. Burger wrongly doubted its authenticity (p. 130). In the Arenberg Gallery, Brussels. 362. PORTRAIT OF A WOMAN. Sm. Suppl. 67 ; M. 199.- A fair-haired woman of about thirty-five, almost facing the spectator. She wears a brown jacket trimmed with fur and having yellow silk sleeves, a white kerchief, and a small cap. [Pendant to 332.] Panel, 6 inches by inches. Exhibited at Brussels, 1882, No. 51, by the Comte d'Oultremont, in whose family collection it was in 1842 (Sm.). 363. PORTRAIT OF A WOMAN. Sm. 132 and Suppl. 75 ; M. 197. A three-quarter length of a young woman, facing left. She sits in an arm-chair upholstered in warm red English leather. Her right hand, holding her yellowish-white gloves, rests in her lap. In the back- ground are a pillar and an arched doorway in the grey wall. The stiff white collar is painted with the greatest delidacy. The green under-tones of the flesh show through the glazing, and the right hand is weakly drawn. [Pendant to 324.]