Page:Hofstede de Groot catalogue raisonné, Volume 4, 1912.djvu/403

xiv MEINDERT HOBBEMA 389 Etched by Greiner. Sales. London, 1833 (483, bought in). Baron von Becker, London, 1834 (j3 OI > Solly). Edward Solly, London, 1837 (325 : ios.). Isaac Pereire, Paris, March 6, 1872, No. 126 (30,000 francs). 105. Landscape with a River and a Water -Mill. The mill stands on the left. In front are a man and a woman, with cattle. Between tall trees is seen a cottage in the middle distance. Cloudy sky. Panel, 28^ inches by 38 inches. Exhibited at the Royal Academy Winter Exhibition, London, 1882, No. 76. Then in the collection of Lady Williams, London. 105*. Landscape with a Water-Mill. A fine picture. Sale. Antoine Sils, Antwerp, March 21, 1882, No. in. 106. LANDSCAPE WITH A POOL AND WATER- MILLS. Sm. 10. In the left foreground is a sedgy pool, surrounded with lofty trees. In the shade is a man with two cows ; the cow to the left is drinking while the other crops the grass. Near them are a goat, a sheep, and a dog. A herdsman, who blows a horn, drives an ox by a cord along a road to the right. A boy stands to the left of him. At the road- side to the right sits a woman ; a man lying on the ground rests his head on her lap. In the right distance are two water-mills and another build- ing. Round them are sunlit meadows ; in front is a pool in which the buildings are reflected. The figures were attributed by Sm. to A. van de Velde. A "capital picture" (Sm.). Canvas, 38 inches by 51^ inches. Exhibited at the British Institution, London, 1821 and 1832. Sale. Lady Holderness, London, March 6, 1802, No. 76 (294, Tracy) ; see Buchanan, i. 318. In the collection of Charles Hanbury Tracy, London, 1835 (Sm.). Sales. Prince DemidofF, San Donato, near Florence, March 15, 1880, No. 1103. E. Secretan, London, July 13, 1889, No. 6 (5460). 107. [Cancelled.] 108. THE WATER-MILL. Sm. Suppl. n. The same scene as in 94 (Widener). The principal differences are as follows : The great oak is varied and bent to the left. Behind it to the right is a larger oak, instead of two small trees. The mill is a wooden building, and the frame- work of the wheel has four separate supports. A man holding a boy by his left hand comes forward along the road ; two men are at the wooden fence in the middle distance ; farther back a man walks away. The same mill was painted in 1661 by Ruisdael (145). [Compare 88.] Signed in the right-hand corner, and dated 1662 ; panel, 24 inches by 33^ inches. Engraved by Salmon. In the Theygessens collection, Copenhagen, 1835 (?). - Saks. Baron de Beurnonville, Paris, May 9, 1881, No. 322.