and sees a stranger standing at the gate. With simple and high-bred courtesy—the courtesy of the old Bible patriarchs, and even now practised by the Orientals, though the march of modern civilisation has left little remnant of it in our western isles—he hastes to bid the stranger welcome, on the simple ground that he is a stranger, and will hear no word of his errand until the rights of hospitality have been paid. Eager as he is to hear possible news of his father, he restrains his anxiety to question his guest. Not until the handmaidens have brought water in the silver ewers, and the herald, and the carver, and the dame of the pantry (it is a right royal establishment, if somewhat rude) have each done their office to supply the stranger's wants, does Telemachus ask him a single question. But when the suitors have ended their feast, they call for music and song. They compel Phemius, the household bard, to make mirth for them. Then, while he plies his voice and lyre for their entertainment, the son of Ulysses whispers aside with his visitor. Who is he, and whence does he come? Is he a friend of his father's? For many a guest, and none unwelcome, had come to those halls, as the son well knows, in his day. Above all, does he bring news of him? Then the disguised goddess tells her story, with a circumstantial minuteness of invention which befits wisdom when she condescends to falsehood:—
Mentes, the son of brave Anchialus,
And sea-famed Taphos is my regal right;
And with my comrades am I come to-night
