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THE ODYSSEY.

mortal indeed, and wholly taken up at present with one of the most inglorious of mortal cravings:—

"Nothing more shameless is than Appetite,
Who still, whatever anguish load our breast,
Makes us remember, in our own despite,
Both food and drink. Thus I, thrice wretched wight,
Carry of inward grief surpassing store,
Yet she constrains me with superior might,
Wipes clean away the memory-written score,
And takes whate'er I give, and taking, craveth more."[1]

There is every appliance to satisfy appetite, however, in the luxurious halls of Alcinous. While Ulysses is seated at table, Queen Arete, careful housewife as she is with all her royalty, marks with some curiosity that the raiment which their strange guest wears must have come from her own household stores—so well does she know the work of herself and her handmaidens. This leads to a confession on Ulysses' part of his previous interview with Nausicaa, whom he praises, as he had good right to do, as wise beyond her years. So charmed is the king with his guest's taste and discernment, that he at once declares that nothing would

  1. This humorous impersonation of one of the lowest, but certainly the strongest, influences of our common nature, has been made use of by later writers. The Roman poets Virgil and Persius take up Homer's idea; and Rabelais, closely following the latter, introduces his readers to a certain powerful personage whom he found surrounded by worshippers—"one Master Gaster, the greatest Master of Arts in the world." ["Gaster" is Homer's Greek word, which Mr Worsley renders by "appetite," but which is more literally Englished by the old Scriptural word "belly."]