wards as heirlooms to Achilles, the offspring of this marriage, and were carried by him to Troy.
Achilles is the very model of a hero, such as heroes would be accounted in times when the softer and nobler qualities of true heroism were unknown. Strong and beautiful in person, as a goddess-born should be; haughty, and prompt to resent insult, but gallant and generous; passionate alike in his love and in his hate; a stanch friend, and a bitter enemy. He is the prototype of Sir Lancelot in many points—“the goodliest person that ever came among press of knights—the truest friend to his lover that ever bestrod horse—the sternest man to his mortal foe that ever put spear in rest.” The epithet which Homer himself gives him is precisely that which was given to the English king who was held to be the flower of chivalry—“Lion-heart.” Though in personal strength and speed of foot he excels all the other heroes of the expedition, yet he is not a mere fighter, like his comrade Ajax, but has all the finer tastes and accomplishments of an age which, however fierce and barbarous in many respects, shows yet a high degree of civilisation. Music and song beguile for him the intervals of battle, and, whether indignant, sarcastic, or pathetic, he is always an admirable speaker. There is something of a melancholy interest about him, too, not inappropriate to a hero of romance, which the poet never allows us to forget. He has come to Troy with his doom upon him, and he knows it. His goddess-mother has told him that there is a twofold destiny possible for him: either to live in wealth and peace, and such happiness as they can bring, a long life of inglorious ease in his native land of Phthia, or to embrace in foreign warfare a brief career
