lifted a horse by means of a harness over the shoulders; and La Blanche, who toyed with heavy articles in a most entertaining way. I remember these ladies particularly because both were remarkably good talkers—and I am referring to conversational quality, not to volume.
Lulu Hurst—known variously as The Georgia Magnet, The Electric Girl, The Georgia Wonder, etc.—created a veritable sensation a generation ago by a series of feats which seemed to set the law of gravitation at defiance. Her methods consisted in utilizing the principles of the lever and fulcrum in a manner so cleverly disguised that it appeared to the audience that some supernatural power must be at work. Although she was exposed many times, her success was so marked that several other muscular ladies entered her province with acts that were, in several instances, superior to the original.
One of the cleverest of these was Annie Abbott, who, if I remember rightly, also called herself The Georgia Magnet. She took the act to England and her opening performance at
