with no physical materials or with symbolic representatives, is highly educative to the imagination and to spiritual appreciation. Toy dolls, trains of cars, boats, and engines are rigidly excluded, and the employ of cubes, balls, and other symbols for representing these social activities is recommended on the same ground. The more unfitted the physical object for its imagined purpose, such as a cube for a boat, the greater is the supposed appeal to the imagination.
Imagination a medium of realizing the absent and significant There are several fallacies in this way of thinking. (a) The healthy imagination deals not with the unreal, but with the mental realization of what is suggested. Its exercise is not a flight into the purely fanciful and ideal, but a method of expanding and filling in what is real. To the child the homely activities going on about him are not utilitarian devices for accomplishing physical ends; they exemplify a wonderful world the depths of which he has not sounded, a world full of the mystery and promise that attend all the doings of the grown-ups whom he admires. However prosaic this world may be to the adults who find its duties routine affairs, to the child it is fraught with social meaning. To engage in it is to exercise the imagination in constructing an experience of wider value than any the child has yet mastered.
Only the already experienced can be symbolized (b) Educators sometimes think children are reacting to a great moral or spiritual truth when the children's reactions are largely physical and sensational. Children have great powers of dramatic simulation, and their physical bearing may seem (to adults prepossessed with a philosophic theory) to indicate they have been impressed with some lesson of chivalry, devotion, or nobility, when the children themselves are occupied only
