for not having moved the wardrobes up. "Then one would see really." She admired the view. She was the Helen who had written the memorable letters four years ago. As they leant out, looking westward, she said: "About my idea. Couldn't you and I camp out in this house for the night?"
"I don't think we could well do that," said Margaret.
"Here are beds, tables, towels—"
"I know; but the house isn't supposed to be slept in, and Henry's suggestion was—"
"I require no suggestions. I shall not alter anything in my plans. But it would give me so much pleasure to have one night here with you. It will be something to look back on. Oh, Meg lovey, do let's!"
"But, Helen, my pet," said Margaret, "we can't without getting Henry's leave. Of course, he would give it, but you said yourself that you couldn't visit at Ducie Street now, and this is equally intimate."
"Ducie Street is his house. This is ours. Our furniture, our sort of people coming to the door. Do let us camp out, just one night, and Tom shall feed us on eggs and milk. Why not? It's a moon."
Margaret hesitated. "I feel Charles wouldn't like it," she said at last. "Even our furniture annoyed him, and I was going to clear it out when Aunt Juley's illness prevented me. I sympathize with Charles. He feels it's his mother's house. He loves it in rather an untaking way. Henry I could answer for—not Charles."
"I know he won't like it," said Helen. "But I am going to pass out of their lives. What difference will it make in the long run if they say, 'And she even spent the night at Howards End'?"
"How do you know you'll pass out of their lives? We have thought that twice before."
"Because my plans—"
"—which you change in a moment."
"Then because my life is great and theirs are little," said Helen, taking fire. "I know of things they can't know of, and so do you. We know that there's poetry.
