are many other pictures I have not mentioned, and there is much from the artist's point of view that is illuminative and suggestive. The Antonio Mores, the Reskimeer and Froben of Holbein, the Surrey, and the portraits of Elizabeth herself, are as important in art as in history.
VI
From the Tudor pictures we pass naturally to the great collection of Charles I., of which so many examples still remain at Hampton Court. This is fitly introduced by the few pictures which belong to the time of James I. These are mostly portraits, and most of them have been already mentioned in their historical setting. A record of Charles's madcap visit to Madrid is the Philip IV., and so also the Elizabeth of Bourbon his wife, both poor enough in the eyes of those who saw the magnificent Spanish Exhibition of 1895-96. They were probably sent to England sometime after Charles's return. But the large group of the family of the Duke of Buckingham, himself a great collector, painted by Honthorst[1] within three months of the Duke's murder, and Cornelius Janssen's charming full-face of him, with Garter robes, with a melting eye and somewhat of a simper; Mirevelt's charming boy, Prince Rupert, and a Count Gondomar, which may be by Mytens, stand out conspicuously
- ↑ I see Mr. Claude Phillips calls it "well known and particularly tiresome." But it is historically of great interest.
