Henry VIII., is as much an enigma to the ordinary visitor as it is probably a terror to those who live near it.[1] The ornamental work about the first two courts is also of great interest. The most striking feature is the series of terra-cotta busts of the Roman emperors, executed by Gian da Maiano—"rotundæ imagines ex terra depictæ"—that, is, circular portraits of terra-cotta in relief, designed by their artist for "Anton Court." They are medallions surrounded with rich borders, and are still but little damaged, and of very great artistic interest. Decorations they are rather of an Italian palace than of an English Gothic house, and strange they look against the flat, undecorated Tudor brickwork. The ugly shelters that protect them from the weather are an indication of their exotic character. But they are one of the most
charming features of the place. The finest, perhaps is the medallion of Otho, in a helmet, on the right hand of the inner tower opposite the clock. The beautiful terra-cotta, too, of Wolsey's arms under the clock should not be forgotten; it is perhaps by the same artist.
The numerous side-courts to the north, with quaint stairways, massive roofs, dark corners, beautiful pro-
- ↑ An elaborate explanation is given by Mr. Ernest Law in his admirable guide-book.
