looking little old man, punctilious of dress and manner like an English duke on the stage. He might wear overwhelmingly correct afternoon attire, with spats and a monocle on a wide ribbon. It someway fills my peculiar trivial concepts of God: mystic-seeming because he is the God of the dead dusty hosts of Israel, and punctiliously modern because he is also the God of new-poeted radium-gifted Now. A God like a druid or like Aladdin's genie, such as I fancied as a child, or like Jove or Vulcan, would seem an inadequate and unsuitable God. What would such a one know of the shape and fashion of my two plain dresses, and of my shoes, and my breakfasts, and the charmed surface joy in the back of a magazine? God, to be God to me, must know all those things.
And if he only bespoke me in thunderous preludes touching souls' triumphant apotheoses—bold and intolerable ecstasies beyond heaven's last poignantest door—it would be nothing to my purpose. Those my poet-brain can make for me if I wish. But I'd like God to explain me the little frightful puzzles which thrive all around me in the wide daylight of this knife-and-fork-ness.
God might come walking lightly in and perhaps seat himself fastidiously in my chastest chair. He might cross one knee over the other. He might
