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and is adapted to excite the affections, and that the melody of pipes produces or heals the disordered passions of the soul, changes the temperaments or dispositions of the body, and by some melodies causes a Bacchic fury, but by others occasions this fury to cease;[1] and,
- ↑ "Among the deeds of Pythagoras," says Iamblichus, in his Life of that father of philosophy, (chap. xxv.) "it is said, that once through the spondaic [i. e. Doric] song of a piper he extinguished the rage of a Tauromenian lad, who had been feasting by night, and intended to burn the vestibule of his mistress, in consequence of seeing her coming from the house of his rival. For the lad was inflamed and excited [to this rash attempt] by a Phrygian song; which, however, Pythagoras most rapidly suppressed. But Pythagoras, as he was astronomizing, happened to meet with the Phrygian piper at an unseasonable time of night, and persuaded him to change his Phrygian for a spondaic song; through which the fury of the lad being immediately repressed, he returned home in an orderly manner, though a little before this he could not be in the least restrained, nor would, in short, bear any admonition; and even stupidly insulted Pythagoras when he met him. When a certain youth, also, rushed with a drawn sword on Anchilus, the host of Empedocles, because, being a judge, he had publicly condemned his father to death, and would have slain him as a homicide, Empedocles changed the intention of the youth, by singing to his lyre that verse of Homer,
Nepenthe, without gall, o'er every ill
Odyss. lib. 4.Oblivion spreads.And thus snatched his host Anchilus from death, and the youth from the crime of homicide. It is also related, that the youth from that time became the most celebrated of the
