Irelend and the Arts.
we must find the passions among the people. We must baptize as well as preach.
The makers of religions have established their ceremonies, their form of art, upon fear of death, on the hope of the father in his child, upon the love of man and woman. They have even gathered into their ceremonies the ceremonies of more ancient faiths, for fear a grain of the dust turned into crystal in some past fire, a passion that had mingled with the religious idea, might perish if the ancient ceremony perished. They have renamed wells and images and given new meanings to ceremonies of spring and midsummer and harvest. In very early days the arts were so possessed by this method that they were almost inseparable from religion, going side by side with it into all life. But, to-day, they have grown, as I think, too proud, too anxious to live alone with the perfect, and so one sees them, as I think, like charioteers standing by deserted
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