corn, thus demanding a difficult belief in him as the sole exception from the frailties of his calling; but it is rather astonishing that the wholesale decriers of mankind and its performances should be even more unwary in their reasoning than the coachman, since each of them not merely confides in your regarding himself as an exception, but overlooks the almost certain fact that you are wondering whether he inwardly excepts you. Now, conscious of entertaining some common opinions which seemed to fall under the mildly intimated but sweeping ban of Lentulus, my self-complacency was a little concerned.
Hence I deliberately attempted to draw out Lentulus in private dialogue, for it is the reverse of injury to a man to offer him that hearing which he seems to have found nowhere else. And for whatever purposes silence may be equal to gold, it cannot be safely taken as an indication of specific ideas. I sought to know why Lentulus was more than indifferent to the poets, and what was that new poetry which he had either written or, as to its principles, distinctly conceived. But I presently found that he knew very little of any particular poet, and had a general notion of poetry as the use of artificial language to express unreal sentiments: he instanced "The Giaour," "Lalla Rookh," "The Pleasures of Hope," and "Ruin seize thee, ruthless King"; adding, "and plenty more." On my observing that he probably preferred a larger, simpler style, he emphatically assented. "Have you not," said I, "written something of that order?"—"No; but I often compose as I go along. I see how things might be written as fine as Ossian, only with true ideas. The world has no notion what poetry will be."
It was impossible to disprove this, and I am always glad to believe that the poverty of our imagination is no measure of the world's resources. Our posterity will no doubt get fuel in ways that we are unable to devise for them. But what this conversation persuaded me of was, that the birth with which the mind of Lentulus was pregnant could not be poetry, though I did not question that he composed as he went along, and that the exercise was accompanied with a great sense of power. This is a frequent experience in dreams, and much of our wak-
