I presently found that he knew very little of any particular poet, and had a general notion of poetry as the use of artificial language to express unreal sentiments: he instanced "The Giaour," "Lalla Rookh," "The Pleasures of Hope," and "Ruin seize thee, ruthless King;" adding, "and plenty more." On my observing that he probably preferred a larger, simpler style, he emphatically assented. "Have you not," said I, "written something of that order?" "No; but I often compose as I go along. I see how things might be written as fine as Ossian, only with true ideas. The world has no notion what poetry will be."
It was impossible to disprove this, and I am always glad to believe that the poverty of our imagination is no measure of the world's resources. Our posterity will no doubt get fuel in ways that we are unable to devise for them. But what this conversation persuaded me of was, that the birth with which the mind of Lentulus was pregnant could not be poetry, though I did not question that he composed as he went along, and that the exercise was accompanied with a great sense of power. This is a frequent experience in dreams, and
