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IN A GLASS DARKLY.

be mine, you and I are one for ever." Then she has thrown herself back in her chair, with her small hands over her eyes, leaving me trembling.

"Are we related," I used to ask; "what can you mean by all this? I remind you perhaps of some one whom you love; but you must not, I hate it; I don't know you—I don't know myself when you look so and talk so."

She used to sigh at my vehemence, then turn away and drop my hand.

Respecting these very extraordinary manifestations I strove in vain to form any satisfactory theory—I could not refer them to affectation or trick. It was unmistakably the momentary breaking out of suppressed instinct and emotion. Was she, notwithstanding her mother's volunteered denial, subject to brief visitations of insanity; or