but truly described as "un tas d'ordures soigneusement enveloppé."
She said that the "tas d'ordures" without the envelope was sufficient for popularity, but that the literature of any age was not to be blamed—it was only a natural growth, like a mushroom; if the soil were noxious, the fungus was bad.
The Duc wondered what a censorship would let pass if there were one.
She said that when there was one it had let pass Crebillon, the Chevalier Le Clos, and the "Bijoux Indiscrets;" it had proscribed Marmontel, Helvetius, and Lanjuinais. She did not know how one man could be expected to be wiser than all his generation.
The Duc admired some majolica she had purchased.
She said she began to think that majolica was a false taste; the metallic lustre was fine, but how clumsy the forms; one might be led astray by too great love of old work.
The Duc praised a magnificent Sèvres panel, just painted by Riocreux and Goupil, and given to her by Princess Olga on the New Year.
