takes her muff or her dog, and teaches her sons and daughters to call him by familiar names; who writes to the victim of her passions with the same pen that calls her boy home from school; and who smooths her child's curls with the same fingers that stray over her lover's lips; who challenges the world to find a flaw in her, and who smiles serene at her husband's table on a society she is careful to conciliate; who has woven the most sacred ties and most unholy pleasures into so deft a braid, that none can say where one commences or the other ends; who uses the sanctity of her maternity to cover the lawlessness of her license; and who, incapable alike of the self-abandonment of love or of the self-sacrifice of duty, has not even such poor, cheap honour as, in the creatures of the streets, may make guilt loyal to its dupe and partner.
This is the Femme Galante of the passing century, who, with her hand on her husband's arm, babbles of her virtue in complacent boast; and ignoring such a vulgar word as Sin, talks with a smile of Friendship. Beside her Frou-frou were innocence itself, Marion de l'Orme were
