This page needs to be proofread.

CHAPTER XV

ROOSEVELT AFRICAN HALL—A RECORD FOR THE FUTURE


I have dreamt many dreams. Some of them have been forgotten. Others have taken concrete shape and become pleasing or hateful to me in varying degree. But one especially has dwelt with me through the years, gradually shaping itself into a commanding plan. It has become the inspiration and the unifying purpose of my work; all my efforts during recent years have bent toward the accomplishment of this single objective—the creation of a great African Hall which shall be called Roosevelt African Hall.

I have always been convinced that the new methods of taxidermy are not being used to the full; that, although the taxidermic process has been raised to an artistic plane, a great opportunity still remains for its more significant and comprehensive use in the creation of a great masterpiece of museum exhibition. Then, too, I have been constantly aware of the rapid and disconcerting disappearance of African wild life. And I suppose that those two considerations gave rise to the vision of the culmination of my work in a great museum exhibit, artistically conceived, which should perpetuate the animal life, the native customs, and the scenic beauties of Africa.