as natural as a gorilla group in the same position.
The setting of the group of five gorillas is to be an exact reproduction of the spot where the big male of Karisimbi died. In mounting them I have my personal observation, my data and material to work from. My own measurements are significant and helpful. I have photographs of the scenery, the setting, and the gorillas themselves. I have photographs of their faces—not distorted to make them hideous but as they naturally were—and death masks which make a record that enables me to make the face of each gorilla mounted a portrait of an individual. All this makes these unlike any other mounted gorillas in the world. After all the work that I had put on them I was glad to get the corroboration of one who knows gorillas as well as T. Alexander Barnes. He had followed gorillas in the Kivu country where I got my specimens. As he looked at the first of the group standing in my studio, he exclaimed, "Well, thank God! At last one has been mounted that looks like a gorilla."
Still with all our work we are only well started on the gorilla group. The background—and it is a beautiful scene—must be painted by as great an artist as we can get and he must go to Karisimbi to make his studies. And the preparators who make the accessories—the artificial leaves, trees, and grasses—they, too, must go to examine the spot and collect their data, for every leaf and every tree and every blade of grass must be a true and faithful copy of nature. Otherwise, the exhibit is a lie and it would
