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In Ghostly Japan

“A very great danger now threatens you, because of an error committed in one of your former states of existence. The karma that binds you to the dead is very strong; but if I tried to explain its character, you would not be able to understand. I shall therefore tell you only this,—that the dead person has no desire to injure you out of hate, feels no enmity towards you: she is influenced, on the contrary, by the most passionate affection for you. Probably the girl has been in love with you from a time long preceding your present life,—from a time of not less than three or four past existences; and it would seem that, although necessarily changing her form and condition at each succeeding birth, she has not been able to cease from following after you. Therefore it will not be an easy thing to escape from her influence. . . . But now I am going to lend you this powerful mamori.[1] It is a pure gold image of that Buddha

  1. The Japanese word mamori has significations at least as numerous as those attaching to our own term “amulet.” It would be impossible, in a mere footnote, even to suggest the variety of Japanese religious objects to which the name is given. In this instance, the mamori is a very small image, probably enclosed in a miniature shrine of lacquer-work or metal, over which a silk cover is drawn. Such