story of "The Great Good Place," twinkled across my mind, and passed and left no light.
The man I saw wrote with a thing like a fountain pen, a modern touch that prohibited any historical retrospection, and as he finished each sheet, writing in an easy flowing hand, he added it to a growing pile upon a graceful little table under the window. His last done sheets lay loose, partly covering others that were clipped together into fascicles.
Clearly he was unaware of my presence, and I stood waiting until his pen should come to a pause. Old as he certainly was he wrote with a steady hand. . . .
I discovered that a concave speculum hung slantingly high over his head; a movement in this caught my attention sharply, and I looked up to see, distorted and made fantastic but bright and beautifully colored, the magnified, reflected, evasive rendering of a palace, of a terrace, of the vista of a great roadway with many people, people exaggerated, impossible-looking because of the curvature of the mirror, going to and fro. I turned my head quickly that I might see more clearly through the window behind me, but it was too high for me to survey this nearer scene directly, and after a momentary pause I came back to that distorting mirror again.
