like cotton. Both are looking toward the cross, and one seems in the act of making an offering, apparently of a child: all speculations on the subject are of course entitled to little regard, but perhaps it would not be wrong to ascribe to these personages a sacerdotal character. The hieroglyphics doubtless explain all. Near them are other hieroglyphics, which reminded us of the Egyptian mode of recording the name, history, office, or character of the persons represented. This tablet of the cross has given rise to more learned speculations than perhaps any others found at Palenque. Dupaix and his commentators, assuming for the building a very remote antiquity, or, at least, a period long antecedent to the Christian era, account for the appearance of the cross by the argument that it was known and had a symbolical meaning among ancient nations long before it was established as the emblem of the Christain faith. Our friends the padres, at the sight of it, immediately decided that the old inhabitants of Palenque were Christians, and by conclusions which are sometimes called jumping, they fixed the age of the buildings in the third century.
There is reason to believe that this particular building was intended as a temple, and that the enclosed inner chamber was an adoratorio, or oratory, or altar. What the rites and ceremonies of worship may have been, no one can undertake to say.
The upper part of this building differs from the first. As before, there was no staircase or other communication inside or out, nor were there the remains of any. The only mode of access was, in like manner, by climbing a tree, the branches of which spread across the roof. The roof was inclined, and the sides were richly ornamented with stucco figures, plants, and flowers, but mostly ruined. Among them were the fragments of a beautiful head and of two bodies, in justness of proportion and symmetry approaching the Greek models. On the top of this roof is a narrow platform, supporting what, for the sake of description, I shall call two stories. The platform is but two feet ten inches wide, and the superstructure of the first story is seven feet five inches in height; that of the second eight feet five inches, the width of the two being the same. The ascent from one to the other is by square projecting stones, and the covering of the upper story is by flat stones laid across and projecting over. The long sides of this narrow structure are of open stucco work, formed into curious and indescribable devices, human figures with legs and arms spreading and apertures between; and the whole was once loaded with rich and elegant ornaments in stucco relief. Its appearance at a distance must have been that of a high, fanciful lattice. Altogether, like the rest of the architecture and ornaments, it was perfectly unique, different from the
