all, and her Scotch father is given the musical interests of Mr. Dolmetsch, a Bohemian, I believe. But Sir Owen Asher has in him much of Mr. Moore himself, though most of Mr. Moore that is there is the English Mr. Moore. There is something of Mr. Martyn in Monsignor Mostyn, though an actual and not a potential ecclesiastic is drawn upon for the basic characteristics of the character In the second version of "Evelyn Innes" there is more of Mr. Russell than of Mr. Yeats in Ulick Dean, at least in his appearance and sayings, though Mr. Moore could not divest his composer of the personality of Mr. Yeats. There is less of Ireland in "Sister Theresa" (1901) than in "Evelyn Innes," but "The Untilled Field," short stories written after the removal of Mr. Moore to Dublin and gathered together in 1903, are wholly concerned with Ireland. As Mr. Moore makes Jasper say to Millicent in "The Bending of the Bough": "It is the land underfoot that makes the Celt. Soon you will feel the fascination of this dim, remote land steal over you." It was when this æsthetic homesickness overtook Mr. Moore that he grew to feel lonely in England, at least momentarily, and to believe that "we are lonely in a foreign land because we are deprived of our past life; but the past is about us here [he is speaking through the mouth of Dean and in Ireland]; we see it at evening glimmering among the hollows of the hills."
In "Memoirs of my Dead Self" (1906) there are chapters which tell of the return of his thought to his boyhood in the west and that record his wish to be buried with his father by Lough Gara; and all three volumes of "Hail and
