it where expansion realizes for you more of character and motives of his people, he infuses into it more of the spirit of the movement, and he makes its patriotism wider in its appeal, a bigger and a better thing at once more concrete and more concerned with the things of the spirit.
"Diarmid and Grania" (1901), the prose play written in collaboration by Mr. Yeats and Mr. Moore, I write of here rather than in the chapter devoted to Mr. Yeats because, as the legend is shaped in the play, it has more of Mr. Moore than of Mr. Yeats in it. As neither of the collaborators was satisfied with the play as produced, and as neither has been willing to give it up to the other to rewrite, "Diarmid and Grania" has never been published. The notices of its production, on October 21, 1901, at the Gaiety Theatre, Dublin, are so full, however, and the legend on which it is based so familiar, that it is possible to say as I have said, when one knows well the work of both authors, whose influence is dominant in it. It seems, from the notices, to have been finely played by the Benson Company, which was brought over from England especially to produce it. The results of "the scratch company" of the second year's performances, even though these were transferred from the Antient Concert Rooms to the better stage of the Gaiety Theatre, were not very satisfactory artistically, but the third year's experiment was in every way more successful. "The Daily Express" of Dublin, in those days very much interested in Irish Ireland, thus records, on October 22, 1901, the impressions of the first night. "The 'house' was not merely
