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I have spoken of Lady Gregory as translator, as collector of folk-lore, as essayist, and as dramatist; but there is another rôle in which she has brought no less advantage to the Celtic Renaissance, though it is a rôle that has not brought her, as have these other, the joys of recapturing or of creating beautiful things. Always objective, though never wholly able to subordinate personality, however near she may have come to effacing it in her plays, Lady Gregory has in this rôle considered herself solely as an agent in the service of Irish letters. The Irishman is naturally a pamphleteer, and Mr. Yeats, poet of the Other World though he be, can give as good blows in controversy as Mr. George Moore. Almost all who have part in the Renaissance have skill in the art of publicity. They have needed no publicists to fight their battles as the Pre-Raphaelites needed Ruskin. Still, in some measure in the way of publicity, and in large measure in other ways, Lady Gregory has been to the Celtic Renaissance what Ruskin was to that last renaissance of wonder. She has edited pamphlets on things national and artistic in Ireland, she has helped Dr. Hyde and Mr. Yeats in their collecting of folk-lore and to a deeper knowledge of the people; she has been one of the forces that have made possible the Abbey Theatre, giving to it her power of organization as well as plays and patronage. More than this, she has welcomed to Coole Park many a worker in the movement, who in the comfort of a holiday there has been refreshed by the gray and green land so near the sea and reinspired by the contact with that Irish Ireland so close to her doors. Like Ruskin, Lady Gregory is a great