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IRISH PLAYS AND PLAYWRIGHTS

stock exchange trick, "Isn't it a great wonder to think that those men are as big rogues as ourselves?" It is idle to pretend that it is not true that, in some moods, all men the world over have sympathy for the rogue. Why do we read of Reynard the Fox with delight, and Robin Hood, and Uncle Remus, and not only in the days of our own infantile roguery, but as grown men and women? This man or that may say it is because of the cleverness of Reynard, the daring of Robin Hood or his wild-woods setting, and the resourcefulness of Bre'r Rabbit; but the honest man will admit it is because of an innate and deeply rooted human sympathy with roguery as well as our natural human sympathy with the under dog and the man hunted by a merciless or an alien law. Very often, if the roguery is very great, or we are brought face to face with its effects and realize it is a real thing in real life, we will be shocked out of our sympathy with it, and realize, as did Pegeen Mike, the difference between a "gallous story and a dirty deed." But sometimes, if we are a people living a primitive life, we will no more awaken to the reality of the wrong of roguery than we would as children have been able to sympathize with the farmer whose pumpkin patch we raided on the eve of Hallowe'en. A sneaking sympathy with roguery, however, is a very different thing from a delight in extravagance. That, too, is a universal passion, but not so native to the Teuton as to Celt or Finn or Oriental. Its absence is what most differentiates Old Norse literature from Old Irish, with which it so early came into contact. It is in travelers' tales and in the tales of seamen and in the writing that