ley before the public in 1903, but his writing since then has fallen far short of this his best book. Now, however, the young man with a future, in the estimation of many is Mr. James Stephens. There is more hope in him, in his twenties, than there is now in "George A. Birmingham" (Rev. J.O. Hannay), another man who ten years ago was like Mr. Buckley, a young man of promise. "The Seething Pot" (1904) was a serious study of conditions in Ireland but since its author conceived of the character of the Rev. Joseph John Meldon, he has found it more discreet to continue the adventures of that clergyman than to write seriously out of his own varied experience of West-Country Irish life.
It is perhaps because the energy that in many countries goes into the writing of the essay is absorbed in controversy in Ireland that in the past Ireland has produced few essayists. In the battles of the dramatic movement with the patriotic societies and with the official class, Mr. Yeats and Mr. Moore have dealt good blows, and Mr. Russell and "John Eglinton" (Mr. W.K. Magee) have led the disputants out of their confusion. Among these men, "John Eglinton" is the one who has thrown his greatest energy into the essay, almost all his energy, and in it, in the chapters of "Two Essays on the Remnant" (1896), "Pebbles from a Brook" (1901), and "Bards and Saints" (1906), he has written with subtlety and illumination.
In the collection and clarification and retelling of folk-literature William Larminie and Lady Gregory and Dr. Hyde stand out as the leading workers. Mr. Larminie's
