loses his grip and the play falls to pieces. "The Eloquent Dempsey" suffers from the caricaturing of its characters, and its action degenerates into unbelievable farce almost on the curtain-rise. "The Building Fund," however, is serious and true, and at the same time just as full of wit and just as biting in satire and just as effective on the stage as "The Eloquent Dempsey." Its characterization is recognized as distinctive and authentic even on reading. Revealed through the almost perfect work of the players trusted with its presentation by the Abbey Theatre on their American tour of 1911-12, it seemed even more than distinctive and authentic, it seemed inspired by profound insight.
"The Building Fund" tells the story of the outgeneraling of grasping son and conniving daughter's daughter by a hard old woman of the strong farmer class in the west of Ireland. Mrs. Grogan is approached as the curtain rises by Michael O'Callaghan, an elderly farmer, and Dan MacSweeney, a young farmer, in the rôle of collectors for the fund for the new Catholic church. They are sent away by her and by her son Shan without any contribution, but their visit suggests to her a way by which she can disinherit her son and her granddaughter, wishful for her death, she thinks, in their eagerness for her fortune. Shan is open in his concern as to her disposal of her money; and although the girl hides her purpose under pretended solicitude for her grandmother's health and is a great help to the old woman, Mrs. Grogan believes her also to be plotting for the fortune and is equally resentful toward both. So when the collectors call again, Mrs. Grogan
