The full significance of the tragedy of Maurice's fate can be realized only by those who know intimately the ambitions hugged close to heart by the Irish Catholic mother. It is more to her to have her boy a priest even than it was yesterday to the Scotch Presbyterian mother to have her boy a minister of the Kirk. It is the greatest glory that can come to such a peasant mother to give one of her sons to the priesthood.
There is, I think, no propaganda in the play, and no intentional satire, although in a way "Maurice Harte" affords a parallel to so definitely a propagandist satire as Mr. Robinson's "Harvest." It is not education that is the curse, however, in "Maurice Harte," but the belief that only priesthood in the end can justify the sacrifices without which a college education is almost impossible for an Irish peasant. Certain it is that it is only for the pride of having their boy a priest that the typical Irish Catholic peasant parents would make such sacrifices as the Hartes have made, sacrifices involving them in debt to the extent of a thousand dollars, to secure their son an education.
In a sense "Maurice Harte" is far other than the provincial study I have here outlined. Its theme is allied, unquestionably, to that theme so much larger in its relations than that of the spoiled priest, the theme of the rebellious son, the son who will live his own life no matter what may be his parents' will. It is only allied to it, however, not to be identified with it, because Maurice is too fearful of disappointing his parents, and too shrinking and ineffectual, to go against his parents' will. In Ireland, as I have said elsewhere, such parental will, by a survival
