un-Celtic and with smouldering hearts like those of the Northmen we read about in the tales of "Origines Islandicæ."
In "Red Turf" (1911) Mr. Mayne turns away from County Down to the Galway bogs, admirably symbolizing the hot land feud between neighbors in his title. There are but five characters in the play, Martin Burke, farmer, and his spitfire of a wife; and his neighbors the Flanagans, father and son, who have won away from the Burkes, by the surveyor's decision, their bank of stone turf that had come to Mary Burke from her father; and an old fellow little better than a beggar. Mary taunts her husband until he shoots the elder Flanagan as he is working away on the "great stone bank." It was not his own gun Burke had, but, ironically, it was one just brought to his house by the poor old man whom they had often befriended, John Heffernan, brought that it might not be found in his house by the gauger, and he unable to pay the license. It is not made clear that there was malevolence in the leaving of the gun at the Burkes by the old fellow, malevolent as are some of his remarks. Akin to him, not in his malevolence but in that each is in a way a bit of a prophet, is the grandfather in "The Turn of the Road," but more nearly akin to old Granahan is Uncle Bartle of "The Mineral Workers" of Mr. Boyle. Synge records old men of prophecy and tales in his travel sketches, but he put none such who were gentle in his plays, or I would say that Grandfather Granahan, like the old gaffer in Mr. Masefield's "Nan," was a part of the influence of Synge that is felt by both Mr. Masefield and
