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IRISH PLAYS AND PLAYWRIGHTS

interest. Yet, such as it is, it is all but all that we have which attempts to put before us any broad view of Highland life. The one man of the generation older than the generation of Mr. Sharp who might have drawn Highland life greatly, Robert Buchanan, was diverted all his life, as Sharp was in the twenties and thirties, from doing what he would to what would boil the pot, but he left at least one story, a story of Sutherland, "A Child of Nature," to prove to us what his reading of Highland life might have been. Had Stevenson been born a Highlander, he might have given us both novels of the Highlands of the order of "Weir of Hermiston," and romances really Highland in quality, as "Kidnapped" and "Catriona" are not.

I suppose that, back of all the failure to deal realistically with Highland life, this rare attainment of a romance of Highland life at all faithful to it, is the making of the Highlander into a stage hero by Scott. There are those to-day who fail to find any glamour in "Waverley" or "Rob Roy" or "The Legend of Montrose," but it is still there to me, investing the figures of Fergus MacIvor and the MacGregor and the Children of the Mist as it did in childhood, when I was so fascinated that I prized my Campbell plaided paper soldiers next to my Continentals in blue and buff. In going through an old trunkful of school-books only the other day, I came upon one of these bonneted fellows, still wonderfully preserved, in an old atlas of the heavens, and then I knew all of a flash why it was that the poor boy soldiers that I saw in Highland accoutrement in the yard of Edinburgh Castle during the Boer War so disappointed me by their appearance and