him more deeply. It might be argued, I suppose, that he did discuss it in "The Divine Adventure," in considering the relations of Spirit, Will, and Body. Mrs. Sharp, I take it, so holds when she says in her "Memoir" that the William Sharp work was that of the Will and the "Fiona Macleod" work beyond the control of the Will. And it is true that these three, the Spirit, Will, and Body, though each is given a distinctive personality, each a memory distinct from the memory of the others, are all but the component parts of one man. Mrs. Sharp does not, however, anywhere avow directly a belief in the possession of a real dual personality by her husband, and she definitely contradicts Mr. Yeats for his expression of belief that "William Sharp could not remember what as 'Fiona Macleod' he had said to you in conversation."
Very different from these short stories I have been discussing are three of the four contained in the volume entitled "Madge o' the Pool" (1896), published as by William Sharp. Of the one that is somewhat in the manner of certain of the "F. M." stories, the "Gypsy Christ," I have spoken. Two, "The Coward" and "The Lady in Hosea," are but "the usual thing." "Madge o' the Pool" is the one really worth while. In this story, with such river pirates as we have met, sentimentalized, in "Our Mutual Friend," as material, Sharp writes as realistically as he does in "Silence Farm," and with a sympathy and pathos that his objective method cannot exclude.
There are episodes or sketches, some of them what sharp calls "prose imaginings," throughout his many books, that one may hardly call short stories, or myths,
