alternate in the same parts on different nights, as, for instance, on the American tour Cathleen ni Houlihan was played now by Miss Allgood and now by Miss Walker.
The fact that few of the actors who have learned their art with the Irish National Dramatic Society have achieved greatly in other drama is perhaps a proof that their powers are limited to the folk-drama and the legendary drama that comprises almost the entire repertoire of the company. Miss Allgood was, it is true, lent to Mr. Poel for the performances of "Measure for Measure" in the spring of 1908, and won an unquestioned success as Isabella, but actors so skilled as the Messrs. Fay have attained no notable success in other than Irish plays. During the American tour of 1911-12 both Mr. Sinclair and Miss Allgood were much importuned by the managers to accept American engagements, and it is hardly to be doubted but that both could win success in conventional comedy. And yet one feels it was the part of wisdom as well as of loyalty for them to withstand the lure.
The distinguishing characteristic of the art of the Abbey Players is naturalness. It is not that their personalities happen to coincide with certain types of Irish character, but that they know so well the types of the folk-plays, and even the characters who are not types that appear in the folk-plays, that they are able to portray them to the life. The Abbey Players have discarded most of the tricks of the stage, or perhaps it would be truer to say they do not inherit the tricks of the stage or any traditional characterizations of parts. They are taught to allow their demeanor and gesture and expression to rise
