they share with poetry of his of similar inspiration, they do not seem to be mastered by him. Alone among his writings they are incomplete.
Mr. Yeats was unable until the last few years to give himself up to the writing nearest his heart, drama. He continued to edit Irish literature, to write on literature and fairy-lore for the magazines. The articles about fairies he has published, and a great mass of belief collected but as yet unprinted, he will gather some day into a great book. Known now in the Irish countryside as a man with a power to exorcise spirits, he will then no doubt attain a reputation that will put him well above that of the Irish-American archbishop who was his only rival in that practice in the belief of many Irish peasants. Other of his magazine writing Mr. Yeats has gathered into "The Celtic Twilight" and more of it into the later edition (1900) of this book. Still other of these articles are to be found in "Ideas of Good and Evil" (1903), some of them stating his philosophy, never too definitely formulated. These two collections are very interesting in themselves, but both, like his "Discoveries" (1907), are more interesting as commentary on his powers. Mr. Yeats has used many notes to explain obscure allusions in his poems, though the most obscure he, perhaps with premeditation, fails to explain. Yet the reader unacquainted with his use of symbols will find much interpretation in these essays, especially those in "Ideas of Good and Evil."
Up to 1899, when Mr. Yeats's serious efforts to build up an Irish national drama began with "The Irish Literary Theatre," he devoted his happiest moments to lyric
