tionable gratification to the puzzle interest I have with my kind, and I would at times be more comfortable were I sure that the "Master of the Still Stars and of the Flaming Door" was he who keeps the gates of the Other World, the real world we shall enter when death sets us free of that dream men call life. Mr. Yeats is not so kind to the men "in the highway" as the old Irish bards. When they wrote enigmas they were apt to explain them fully, as does the poet of "The Wooing of Emer" when he tell what was meant by the cryptic questions and answers exchanged between that princess and Cuchulain. When the symbolism is of the kind found in "Death's Summons" of Thomas Nash, which of all poems Mr. Yeats quotes oftenest, all cultivated men may understand—
"Brightness falls from the air;
Queens have died young and fair;
Dust hath closed Helen's eye."
The difference between the symbol Helen and each one of the several symbols Mr. Yeats employs in "The Valley of the Black Pig" is the difference between a symbol universally recognized throughout the world and a symbol recognized by one people; but there is the further difference that one is intimately associated with the thing symbolized, is the name of a woman the context tells us is a queen and beautiful, and the other is only the scene of a battle that symbolizes the ending of the world. It is more natural to use a beautiful woman as a symbol of all beauty than to use a black boar that shall root up all the light and life of the world as a symbol of the ending of the world. But neither of these is a symbol that would be understood
