favour. Moll had more humour, but was violent; stupid too. Hilda Thomas was mealy-mouthed, all her silver frames aslant; egg-cups in the drawing-room; and the windows shrouded. Lady Rocksbier, whatever the deficiencies of her profile, had been a great rider to hounds. She used her knife with authority, tore her chicken bones, asking Jacob's pardon, with her own hands.
"Who is that driving by?" she asked Boxall, the butler.
"Lady Fittlemere's carriage, my lady," which reminded her to send a card to ask after his lordship's health. A rude old lady, Jacob thought. The wine was excellent. She called herself "an old woman"—"so kind to lunch with an old woman"—which flattered him. She talked of Joseph Chamberlain, whom she had known. She said that Jacob must come and meet—one of our celebrities. And the Lady Alice came in with three dogs on a leash, and Jackie, who ran to kiss his grandmother, while Boxall brought in a telegram, and Jacob was given a good cigar.
A few moments before a horse jumps it slows, sidles, gathers itself together, goes up like a monster wave, and pitches down on the further side. Hedges and sky swoop in a semicircle. Then as if your own body ran into the horse's body and it was your own forelegs grown with his that sprang, rushing through the air you go, the ground resilient, bodies a mass of muscles, yet you have command too, upright stillness, eyes accurately judging. ‘Then the curves cease, changing to downright hammer strokes, which jar; and you draw up with a jolt; sitting back a little, sparkling, tingling, glazed with ice over pounding arteries, gasping: "Ah! ho! Hah!" the steam going up from the horses as they jostle together at the cross-roads, where the signpost is, and the woman in the apron stands and stares at the doorway. The man raises himself from the cabbages to stare too.
