gets older," they mean you to reply with something quite off the point.
Jacob sat himself down in the quarry where the Greeks had cut marble for the theatre. It is hot work walking up Greek hills at midday. The wild red cyclamen was out; he had seen the little tortoises hobbling from clump to clump; the air smelt strong and suddenly sweet, and the sun, striking on jagged splinters of marble, was very dazzling to the eyes. Composed, commanding, contemptuous, a little melancholy, and bored with an august kind of boredom, there he sat smoking his pipe.
Bonamy would have said that this was the sort of thing that made him uneasy—when Jacob got into the doldrums, looked like a Margate fisherman out of a job, or a British Admiral. You couldn't make him understand a thing when he was in a mood like that. One had better leave him alone. He was dull. He was apt to be grumpy.
He was up very early, looking at the statues with his Baedeker.
Sandra Wentworth Williams, ranging the world before breakfast in quest of adventure or a point of view, all in white, not so very tall perhaps, but uncommonly upright—Sandra Williams got Jacob's head exactly on a level with the head of the Hermes of Praxiteles. The comparison was all in his favour. But before she could say a single word he had gone out of the Museum and left her.
Still, a lady of fashion travels with more than one dress, and if white suits the morning hour, perhaps sandy yellow with purple spots on it, a black hat, and a volume of Balzac, suit the evening. Thus she was arranged on the terrace when Jacob came in. Very beautiful she looked. With her hands folded she mused, seemed to listen to her husband, seemed to watch the peasants coming down with brushwood on their backs, seemed to notice how the hill changed from blue to black, seemed to discriminate between truth and falsehood, Jacob thought, and crossed his legs suddenly, observing the extreme shabbiness of his trousers.
