fountains. A curious effect the gate has, like lace upon pale green. Even in the window you hear the plates; a hum of talk, too, from the diners; the Hall lit up, and the swing-doors opening and shutting with a soft thud. Some are late.
Jacob's room had a round table and two low chairs. There were yellow flags in a jar on the mantelpiece; a photograph of his mother; cards from societies with little raised crescents, coats of arms, and initials; notes and pipes; on the table lay paper ruled with a red margin—an essay, no doubt—"Does History consist of the Biographies of Great Men?" There were books enough; very few French books; but then any one who's worth anything reads just what he likes, as the mood takes him, with extravagant enthusiasm. Lives of the Duke of Wellington, for example; Spinoza; the works of Dickens; the Faery Queen; a Greek dictionary with the petals of poppies pressed to silk between the pages; all the Elizabethans. His slippers were incredibly shabby, like boats burnt to the water's rim. Then there were photographs from the Greeks, and a mezzotint from Sir Joshua—all very English. The works of Jane Austen, too, in deference, perhaps, to some one else's standard. Carlyle was a prize. There were books upon the Italian painters of the Renaissance, a Manual of the Diseases of the Horse, and all the usual text-books. Listless is the air in an empty room, just swelling the curtain; the flowers in the jar shift. One fibre in the wicker arm-chair creaks, though no one sits there.
Coming down the steps a little sideways [Jacob sat on the window-seat talking to Durrant; he smoked, and Durrant looked at the map], the old man, with his hands locked behind him, his gown floating black, lurched, unsteadily, near the wall; then, upstairs he went into his room. Then another, who raised his hand and praised the columns, the gate, the sky; another, tripping and smug.
