truly examined; the sacristan still keeping at Dennistoun's heels, and every now and then whipping round as if he had been stung, when one or other of the strange noises that trouble a large empty building fell on his ear. Curious noises they were sometimes.
'Once,' Dennistoun said to me, 'I could have sworn I heard a thin metallic voice laughing high up in the tower. I darted an inquiring glance at my sacristan. He was white to the lips. "It is he—that is—it is no one; the door is locked," was all he said, and we looked at each other for a full minute.'
Another little incident puzzled Dennistoun a good deal. He was examining a large dark picture that hangs behind the altar, one of a series illustrating the miracles of St. Bertrand. The composition of the picture is well-nigh indecipherable, but there is a Latin legend below, which runs thus:
'Qualiter S. Bertrandus liberavit hominem quem diabolus diu volebat strangulare.' (How St. Bertrand delivered a man whom the Devil long sought to strangle.)
