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JAPANESE PLAYS AND PLAYFELLOWS

front of the hotel rose a mansion of pine, surrounded by iron railings of curious pattern, a line of storks in zigzag flight, and surmounted by a stork of gold with outstretched wings. The Governor's house, we thought, or perhaps a court of justice, resplendent with carven symbol to impress the natives with reverence for the new régime. But no: this was the principal bath-house. As we passed from storey to storey and remarked the beauty of rafter and balustrade, my companion, who speaks with knowledge, declared that he had never seen such superb carpentry. In many of the chambers were flowers and kakemono by modern painters; in short, we had found a more lordly palace of bathing than even Ikao could boast. The baths were of granite and the dressing-rooms hung with silken curtains. As we had paid the highest tariff, ten sen (about twopence-halfpenny), before entering the bath, we were served by daintily-robed waitresses with cherry-blossom-and-water, a rather saline concoction prepared from the national flower. When we issued from the hot salt waters the same attendants brought tea and cigarettes. Enchanted with our first experience of Dōgō fashions, we returned to the hotel and demanded of the landlord what other sights the town possessed.

The public garden, the wood-carvers' shops, the big temple of Ōkuni-nushi and Sukuna-bikona, which crowns a hill on the outskirts of the town, were duly visited, and pronounced inferior to those we had seen elsewhere. But O Yoshi San informed us at dinner that every stranger who came to Dōgō was considered unlucky if he departed without seeing and hearing two beautiful sisters, geisha of shining notoriety. We sent a summons at once, and by good luck it happened