were generally disbursed in that locality, affording clues to the identity of their possessor.
The organisation of each house, or kashi-zaskiki, was elaborate and peculiar. The master, or teishu, though compelled to live on the premises, was seldom visible. His was the unseen hand which directed and received. He engaged at least three wakaimono (young fellows), supplied to him by a detective agency, of whom the banto, or clerk, made purchases and kept accounts; the mise-ban, or lady's attendant, walked behind her with open umbrella to avert sun or rain, when she passed in procession through the main street, Naka-no-cho; the nikai-ma-washi, or upper-storey man, looked to the lamps, the bedding, and other details of domestic comfort. Beside these were messengers, gardeners, bath-men, cooks, and night-watchman, who hailed the advent of each nocturnal hour with noisy wooden clappers. The staff of female assistants varied with the status of the house. If the girls belonged to the highest class, called taiyu or oiran, to each was allotted two child attendants, kamuro, whose dress must be of white bleached linen, decorated with a pine-tree pattern and crossed on the left shoulder by a black cape bearing in gold letters their mistress's name. When these little girls reached the age of fourteen, if their parents so wished it, they became furisode skinzo, or shinzo with flowing sleeves, and, without altogether ceasing to be attendants, began to learn the arts of singing, and arranging flowers and making tea. Yet a third class of servants bore the name of banshin. These were generally discharged jōro, who wore striped crape with a sash of black satin, and had the right to refuse admission to any whose respectability appeared
