Page:Japanese plays and playfellows (1901).djvu/82

wildest of kiōgen incidents invading a Nō! How shocked a Japanese audience would have been! If the Nō seem occasionally naïf and puerile, the gross enfantillage of European miracle-plays none but readers of them can believe. And, when we reach the tedious "Moralities," which coincided in this country with the advent of the Protestant Tudors, and were therefore written a century later than the best of the Nō, the palm of sacred drama for beauty, interest, and pathos must still be awarded to the disciples of Buddha. Could anything less human or less dramatic be imagined than a cast of personified abstractions, bearing such names as Good Counsel, Knowledge, Abominable Living, and God's Merciful Promises? We must console ourselves with the reflection that, when once the stage had freed itself from ecclesiastical fetters, the popular drama in England shot far ahead of popular drama in Japan. No student of dramatic art could think for a moment of bracketing Chikamatsu with Shakespeare.