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attitude towards those in power. I suspect myself that either the advice is but provisional, or else Koheleth still feels the power of the prophetic Utopia: ce peuple rêve toujours quelque chose d'international.[1] Nay; shall we not carry our generosity even farther? That 'last word,' which he would have spoken had he lived longer, may possibly not have been that which the Soferim have forced upon him. Not a future judgment, but a return of prosperity to a wiser though sadder Israel, may have been his silent hope, and in this prosperity we may be sure that a wider and more philosophic culture would form a principal ingredient. This is by no means an absurd fancy. Koheleth firmly believed in recurrent historical cycles, and if there was 'a time to break down,' there was also 'a time to build up' (iii. 3). Sirach knows no future life and no Messiah; but he believes in the eternity of Israel; why, on the ground of his fragmentary remains, deny the same consolation to Koheleth? Much as I should prefer to imagine a far more satisfactory close for his troubled life (see Chap. IX.), I think we ought to admit the possibility of this hypothesis.

As an author, the characteristics of Koheleth are in the main Hebraic, though not without vague affinities to the Greek philosophic spirit. His work is without a model, but the dramatic element in it reminds us somewhat of the Book of Job. Just as the writer of that great poem delineates his own spiritual struggles—not of course without poetic amplification—under the assumed name of Job, so our author, with a similar poetical license, ascribes his difficulties to the imaginary personage Koheleth (or Ecclesiastes). There are also passages in which, like Job, he adopts the tone, style and rhythm[2] of gnomic poetry, though far from reaching the literary perfection of Job or of the proverbial collections. The attempt of Köster and Vaihinger to make him out an artist in the management of strophes is a sport of fancy. Unity and consistency in literary form were beyond the reach, if not of his powers, yet certainly of his opportunities; even his phraseology, as a rule, is in the highest degree rough

  1. Renan, L'Antéchrist, p. 228.
  2. On the rhythm, comp. Bickell, Der Prediger (1884), pp. 27, 46-53.