Verheiden's Præstantium . . . Theologorum . . . Effigies, published in 1602. Evidently the attitude, face, hair, and details of dress are the same in the Cambridge portrait and the engraving of Hondius. One is simply a variation upon the other; and if a guess may be hazarded without knowing the history of the Queen's College portrait, I should say that the latter is based upon Hondius.
A meretricious French print, by B. Picart, dated 1713, represents a framed picture of Wyclif suspended by a rope between two pillars in front of a tomb, and apparently fanning the flames in which his books are being consumed. There is also an engraved plate, bearing the title of The Parallel Reformers, and drawing a comparison between Whitfield and Wyclif, with a not very faithful reproduction of the Hondius engraving. Bromley mentions two other prints, "in Boissard," and by Des Rochers, which I have not seen, and these probably exhaust the list of Wyclif pictures, or at any rate of distinct types and noteworthy variations.
