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THE RAMBLER.
N° 121.

the madness of disappointment. He still appeared to resent, as on earth, his loss and disgrace. Ulysses endeavoured to pacify him with praises and submission; but Ajax walked away without reply. This passage has always been considered as eminently beautiful; because Ajax, the haughty chief, the unlettered soldier, of unshaken courage, of immovable constancy, but without the power of recommending his own virtues by eloquence, or enforcing his assertions by any other argument than the sword, had no way of making his anger known, but by gloomy sullenness and dumb ferocity. His hatred of a man whom he conceived to have defeated him only by volubility of tongue, was therefore naturally shewn by silence more contemptuous and piercing than any words that so rude an orator could have found, and by which he gave his enemy no opportunity of exerting the only power in which he was superior.

When Æneas is sent by Virgil to the shades, he meets Dido the queen of Carthage, whom his perfidy had hurried to the grave; he accosts her with tenderness and excuses; but the lady turns away like Ajax in mute disdain. She turns away like Ajax; but she resembles him in none of those qualities which give either dignity or propriety to silence. She might, without any departure from the tenour of her conduct, have burst out like other injured women into clamour, reproach, and denunciation; but Virgil had his imagination full of Ajax, and therefore could not prevail on himself to teach Dido any other mode of resentment.

If Virgil could be thus seduced by imitation, there will be little hope, that common wits should escape; and accordingly we find, that besides the