mentioned, he without hesitation devotes him to bankruptcy; if the beauty and elegance of a lady be commended, he wonders how the town can fall in love with rustick deformity; if a new performance of genius happens to be celebrated, he pronounces the writer a hopeless idiot, without knowledge of books or life, and without the understanding by which it must be acquired. His exaggerations are generally without effect upon those whom he compels to hear them; and though it will sometimes happen that the timorous are awed by his violence, and the credulous mistake his confidence for knowledge, yet the opinions which he endeavours to suppress soon recover their former strength, as the trees that bend to the tempest erect themselves again when its force is past.
The Whisperer is more dangerous. He easily gains attention by a soft address, and excites curiosity by an air of importance. As secrets are not to be made cheap by promiscuous publication, he calls a select audience about him, and gratifies their vanity with an appearance of trust by communicating his intelligence in a low voice. Of the trader he can tell that, though he seems to manage an extensive commerce, and talks in high terms of the funds, yet his wealth is not equal to his reputation; he has lately suffered much by an expensive project, and had a greater share than is acknowledged in the rich ship that perished by the storm. Of the beauty he has little to say, but that they who see her in a morning do not discover all those graces which are admired in the Park. Of the writer he affirms with great certainty, that, though the excellence of the work be incontestable, he can claim but a small part of the reputa-
