studies the dress of every man splendid enough to attract his notice, and never comes home without some observation upon sleeves, button-holes, and embroidery. At his return from the theatre, he can give an account of the gallantries, glances, whispers, smiles, sighs, flirts, and blushes of every box, so much to his mother's satisfaction, that when I attempted to resume my character, by inquiring his opinion of the sentiments and diction of the tragedy, she at once repressed my criticism, by telling me, "that she hoped he did not go to lose his time in attending to the creatures on the stage."
But his acuteness was most eminently signalized at the masquerade, where he discovered his acquaintance through their disguises, with such wonderful facility, as has afforded the family an inexhaustible topick of conversation. Every new visitor is informed how one was detected by his gait, and another by the swinging of his arms, a third by the toss of his head, and another by his favourite phrase; nor can you doubt but these performances receive their just applause, and a genius thus hastening to maturity is promoted by every art of cultivation.
Such have been his endeavours, and such his assistances, that every trace of literature was soon obliterated. He has changed his language with his dress, and instead of endeavouring at purity or propriety, has no other care than to catch the reigning phrase and current exclamation, till by copying whatever is peculiar in the talk of all those whose birth or fortune entitles them to imitation, he has collected every fashionable barbarism of the present winter, and speaks a dialect
