principle returns: while the grand old minster, and the lofty city-hall, with its quaint chimes, still stand storm and time-proof, the characteristic dwellings of those who built them are gradually declining from their type, are being taken down and replaced by modern square blocks, more and more slender at every remove; till, at length, the old experience may be confirmed, that even without any disaster occurring, public edifices alone are lasting and monumental.[1]
Of the grand, as characteristic of a national architecture, equally embracing public and private construction, we may consider Venice as an illustration. One style pervades the city of merchant princes, formed during the days when her argosies never returned from a voyage without a column for the walls, or a gem for the shrines, of San Marco.
But, on the other hand, are the clearly expressed wishes for a better architecture in London such as to promise an enduring and acknowledged principle of it in future? In fact not yet; in tendency very probably.
With the class of modern buildings which I have spoken of, it is both just and necessary to couple another. I allude to the numerous churches, schools and other institutions of charity, which have risen in every part of the capital, and which, though of their nature they may be said to be public buildings.
- ↑ In Nürnberg, I believe, there is a municipal regulation which obliges all houses to be rebuilt upon the ancient model. It is undoubtedly the most picturesque, and most representative of ancient, among modern cities.
